A-HA - THE LIVING DAYLIGHTS
Hey Driver, Where Are We Going
I Swear My Nerves Are Showing
Set Your Hopes Up Way Too High
The Living's In The Way We Die
Comes The Morning And The Headlights Fade Away
Hundred Thousand People... I'm The One They Blame
I've Been Waiting Long For One Of Us To Say
Save The Darkness, Let It Never Fade Away
In The Living Daylights
All Right, Hold On Tight Now
It's Down, Down To The Wire
Set Your Hopes Up Way Too High
The Living's In The Way We Die
Comes The Morning And The Headlights Fade In Rain
Hundred Thousand Changes... Everything's The Same
I've Been Waiting Long For One Of Us To Say
Save The Darkness, Let It Never Fade Away
In The Living Daylights
Comes The Morning And The Headlights Fade Away
Hundred Thousand People... I'm The One They Frame
In The Living Daylights
SONG FACTS
Writer(s): Pål Waaktaar, John Barry
Producer(s): Jason Corsaro, Magne Furuholmen, Pål Waaktaar, John Barry
This Was The Theme Tune To The James Bond Film The Living Daylights, Which Was Timothy Dalton's Debut In His Short Reign As 007.
A-Ha Were The Last Act To Collaborate With Score Composer John Barry. The Norwegian Pop Group Were Hot At The Time But They Treated Their Role With Cool Disdain And The English Composer Did Not See Eye To Eye With The Young Upstarts. Barry Later Compared Working With Them To "Playing Ping-Pong With Four Balls."
This Reached #1 In A-Ha's Native Norway.
A-Ha Included A Reworked Version On Their 1988 Album, Stay On These Roads.